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    (Photo: Theodor W. Adorno © Universitätsarchiv Frankfurt am Main)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)
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    (Photo: „Über den Fetischcharakter...“ © Christina Voigt)

„Über den Fetischcharakter in der Musik und die Regression des Hörens“

„Über den Fetischcharakter in der Musik und die Regression des Hörens“ turns to the immediate emotionality of a pop song, Verdi’s Greatest Hits and a stammered reflection on the Regression of Listening. Theodor W. Adorno’s article of the same name is the point of departure for this night of discursive practice with the performance collective copy & waste.

The musicians and performers of the Solistenensemble Kaleidoskop construct versatile multi-track levels and slippery slopes to pick out potential echoes and meanings of the text and drown it out with new music, pop songs and Italian arias at the same time.

Music & performance: Solistenensemble Kaleidoskop
Artistic direction, composition/script: Clara Gervais
Direction & stage/costumes: Steffen Klewar & Silke Bauer (copy & waste)
With works by Theodor W. Adorno, Giuseppe Verdi and Italian pop songs.

A project of Solistenensemble Kaleidoskop in cooperation with Radialsystem.
Funded by the Senate Department for Culture and Europe.

Usage of Theodor W. Adorno’s text by courtsey of Suhrkamp Verlag.

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